Nov 07

Meet the Pets

QUICKIES debuted in the 2017 Orlando International Fringe Festival at the Breakthrough Theatre of Winter Park

Just getting around to sharing what was arguably my most challenging, rewarding experience ever. (Yes, having/raising kids excluded.) Last spring, after a year or so of trying my hand at writing short plays, I caught the Fringe bug here in O-Town, and QUICKIES by Tracey Jane Smith was born. It was my first time writing and producing a show for the Orlando International Fringe Festival. The inaugural Equal Play production of QUICKIES included “four-plays”–four short plays, presented by just four versatile players of two women and two men. I’m delighted and grateful that QUICKIES was selected for Orlando Fringe 2018 Winter Fest, with performances Friday, January 5 at 7:30pm and Sunday, January 7 at 2pm. Buttons and tickets here.

I’m also thrilled that Winter Springs High School Thespian Troupe 5777 is producing the three comedies of QUICKIES for their one-act at district competition. Meanwhile, I’m sharing the full script of one of the four-plays, “Meet the Pets”. All Rights Reserved. If interested in production, contact me directly at: charming the muse (no space) at gmail dot com.

Meet the Pets by Tracey Jane Smith


Mar 13

This Can’t Be Goodbye

Jake's Women at Breakthrough Theatre of Winter Park

Appearing with these people in Jake’s Women by Neil Simon at Breakthrough Theatre of Winter Park has been a dream come true.

Transitory. Fleeting. Singular. Such is the intransigent nature of life. And theater.

As the play I’m in enters its final performances of a great run, I find myself awed again by the correlation. Here today, gone tomorrow. Even that’s a generous assessment. Here this moment, gone the next. That’s more accurate. For life, like theatre, is merely a mosaic of moments–each eternally unique and ephemeral.

It’s like being out on the ocean in a small boat. You are the boat. The moments of your life are the ocean. Most of the time, you cruise forward at full throttle, feeling the power of movement in the wind beating against your face.


We sail through smooth waters and motor through rough. Until life–or theater–stops us.

But every so often, you stop. It might be a perceived rejection. Or a dreaded milestone birthday. Or a death, the ultimate reminder of your own transience. Whatever the impetus, you turn off the engine or lower the sails. Water laps gently against the hull. And by comparison it may seem that you have stopped moving. But that is an illusion. Watch the water beside you, and you’ll realize how swiftly still you move.

Theater does that, too. It stops the boat so we can hear the waves; it lets us trace the ripples. But always underneath lies and moves the current of time. All art aspires and inspires to this. Yet it’s live theater that comes closest to reflecting life, because neither can be captured and held. Directors and their actors create a completely singular experience for an audience, for every performance, through myriad moments never to be witnessed exactly the same again. Movies, music, paintings–these frame one experience, forever immortalized. But theater, like life, doesn’t have a recorder beyond one’s mind.

“This can’t be goodbye.” So says Jake to my character, Maggie, at the end of their first meeting. The audience later learns that Jake has lost his first love, along with his ability to trust. So his words are more than a polite closing. They’re the urgent plea we all feel when we stop the boat and realize we’re still moving. We don’t want to admit that we can’t stop the unrelenting motion, that the ocean is so unfathomably vast our small boat’s path may never cross that of any other’s since the beginning and until the end of time. It’s a terrifying realization, that our course is ours alone and ours alone to chart.

To my fleeting show family, this won't be goodbye.

To my fleeting show family led by Director Bee Jay Aubertin-Clinton, this won’t be goodbye. Energy never dies. Nor will my love for you!

Maggie assures Jake it won’t be goodbye. “We’ll meet again,” she promises coyly. And so, I set my microwave clock forward an hour, another lost battle to time. I face the last two performances of “Jake’s Women” with equal parts anticipation and dread. I celebrate all those who have come to share in this experience, with me, with all of us. And I know this won’t be goodbye. We’ll meet again, whether or not on the same stage, always in the same theater. The theater of life.


Jul 31

Florida School Testing Saga Continues

Learning should be the destination of education and testing merely a tool--not the other way around.

Learning should be the destination of education and testing merely a tool–not the other way around.

A real-life drama of ineffective high-stakes testing is playing out here in Florida. A modern-day David vs. Goliath, it’s led to the small but educationally powerful Seminole County Public Schools district standing up to the giant bureaucracy of the Florida Department of Education. What’s at stake in this fight? Nothing less than the well-being, real learning and true success of our kids.

In the spirit of accountability and measurement–something we all want–I’ve created my own little test:


Take a test about the test! Learn why so many Florida parents are telling the state’s Department of Education to #LetUsOffThisCrazyTrain and allow the #SeminoleSolution!

Here’s the most recent development, from Channel 13 Orlando reporter Jeff Allen, following this week’s SCPS school board meeting:

And here’s a presentation that details some of the negative impact of this year’s FSA test in Seminole County alone:
7-28-15 FSA Solution

Bottom Line (in this mama grizzly bear’s humble opinion):
The State of Florida has spent a lot of money on an unverified test that caused massive disruptions to our children’s learning time during this past year. I understand why the FL Department of Education would want to save face and make the Florida Standards Assessment test continue–however deeply technologically, logistically and educationally flawed. So now the DOE is paying another company another $250,000 to verify the test (after the fact–yeah). Is that really to help our students? Or is that to help the DOE have a scape goat?

Message to FL DOE: Let us off this crazy (FSA testing) train. Let our teachers teach our kids again!

Message to FL DOE: Let us off this crazy (FSA testing) train. Let our teachers teach our kids again!

Why is the DOE so against letting its public school students take a well-tested national test in the first place? Is it afraid of being compared against other states? That’s the only answer I can come up with that makes any sense why far more money would be spent on a far less effective measurement tool.

At the front line of this crisis are our kids and their teachers, administrators and school district leaders. They’re the ones who’ve lived through the problem. And they’re the ones who understand the best answer, even if they’re too afraid to speak up. Our elected SCPS school board and non-elected superintendent, Dr. Walt Griffin, have unanimously shown that they are not afraid to do so. If you agree with their efforts and common sense solution, contact your own district school board members and superintendent, state legislators, Governor Rick Scott and DOE Commissioner Pam Stewart. Be sure to tell them to #LetUsOffThisCrazyTrain and support the #SeminoleSolution!


May 19

“Let Us Off This Crazy Train”

Standardized testing in Florida (if not the country) is out of control. If you’re a student, parent or teacher in the K-12 system, you know this to be an understatement. It’s why a friend of mine recently vented on Facebook about FSA–Florida Standards Assessment a.k.a. the new FCAT–comparing it to a runaway train taking our schools off a cliff.

It’s the perfect metaphor. New, unproven testing engines burn through taxpayer money, while trapping our kids and their teachers on board a dangerous ride. To make matters worse, all the passengers are blindfolded, so they have no idea what’s really coming around the next bend of tests.

“Who’s the conductor anyway?” asked my friend rhetorically. Follow the money, and the answer is clear. It’s those companies that develop and sell (key word) costly, ongoing, labor-intensive materials and services, flourishing organizations like American Institutes of Research (AIR) and Pearson. Launching frequently updated and non-reusable curricula and tests creates a financial boon for these groups but a disaster for everyone else.

This crazy train has many cars. The administrative chaos alone created by unreliable, inefficient technology this spring put Florida students in unproductive holding patterns for hours, days, weeks. Even when the technology does work, the massive time spent for testing–or doing nothing while other students test and take turns on limited numbers of computers–takes away from actual learning time.

Ah, learning…remember that? Learning is supposed to be the destination of education, not testing. Right? Right??

Untested, unverified tests make OUR KIDS the guinea pigs for testing companies.

Untested, unverified tests make our kids and their teachers the unwitting guinea pigs for testing companies.

The tests themselves are highly questionable. Except that no one’s allowed to either see or question the questions. This includes the front-line experts, our children’s teachers, whose very livelihoods are almost exclusively tethered to how their students perform on said questions. Between the state-mandated FSA and EOCs introduced this year, our kids have essentially become guinea pigs for the testing companies, who themselves seem to be held to no objective standard of validity or accountability. The failure of their technology could be seen. Unclear, poorly written computer-based test questions, however, are conveniently hidden from public consumption and known only by the confused, frustrated test-takers from Kindergarteners to high school seniors.

Seminole County Public Schools gets it. Thanks to the reassuring common sense of the elected school board here led by Chairwoman Tina Calderone, Superintendent Dr. Walt Griffin last month requested a waiver out of next year’s FSA. Against the presumption of the Florida Legislature to just ‘get with the program,’ if you will, SCPS has come up with a sensible alternative. Griffin proposes the district utilize proven paper tests like SAT and PSAT that not only cost less and take FAR less time to administer but offer the added (in my mind crucial) benefit of actually providing national comparison.

These are the same tests that many private schools use to benchmark students’ progress each year. Ironically, these are the same tests that most Florida lawmakers’ children take (Florida testing mania: Politicians demand it but don’t subject their own kids to it). I myself administered the Stanford Achievement Test to my daughter as a third and fourth grader when we homeschooled some years ago. It was a concise yet effective tool for seeing where she was at with each skill. It helped me identify relative strengths and weaknesses, while comparing my child’s progress with others her age and above.

“We’re getting off your crazy train.” When I read SCPS board member Amy Lockhart quoted saying this (Seminole schools to state: Let us skip FSA, use national exams), I had to laugh, remembering my friend’s online rant. Then I went over to my piano and started singing the words that quickly became a musical refrain.

My hope is that this video gets the attention of the Florida Legislature and that they will vote to grant SCPS its requested waiver. Beyond that, I hope the song helps support impassioned school district leaders around the state who are advocating for a transformation of Florida’s statewide testing program into an academically sound and fiscally responsible accountability system.


Learning is a journey; it’s not always A to B.
If you try to measure every mile, there’s a world you’ll never see.
This train we’ve put our children on is running off the track,
And the man who sold the ticket says there’s no turning back.


So let us off this crazy train, let our teachers teach our kids again,
‘Cause we don’t want this high-stakes ride.
Not every test is good, not every child’s the same,
So let us off this crazy train.

No test should be a destination or take up so much time.
Instead of making more frustration, just give them a chance to shine.
We all want to see wheels turning and have accountability,
But let’s not kill the joy of learning and creativity.

Who is the conductor anyway? We’re the ones who ultimately pay.






Apr 27

A Play for Peace


EIGHT ENCHANTED EVENINGS: The enthusiastic cast family of Central Florida Community Arts’ South Pacific, April 2015.

There Is Nothin’ Like a Play

LOVE is at the heart of community theater.

LOVE is at the heart of community theater.

This post is my love letter. To the thirty or so cast, crew, and orchestra members in Central Florida Community Arts’ production of South Pacific, directed by Donald Rupe. Over the past two months, I had the honor of serving with this congregation of talented people in the show that may well be Rodgers & Hammerstein’s most epic musical. Yet even more indelible than the show’s wartime drama, conflicted romances and beloved tunes, are the people whom I came to know and love. So although this well-received production (reviewed by the Orlando Sentinel, Broadway World and Archikulture Digest) closed yesterday, I just can’t make myself Wash That Show Right Outta My Hair.

HAPPY TALK: On and off the stage, casts share so many little moments of spontaneous love.

HAPPY TALK: On and off the stage, casts share so many little moments of spontaneous love.

I’m in Love with a Wonderful Cast

Community theater is all about love. Even more than professional theater, it’s inherently passionate. That’s because actors and other artists enthusiastically volunteer to do what they LOVE. People of different backgrounds and experiences come together. They become an instant family united by a clear common goal: to create a memorable, moving experience for others.

Music director Jason Bailey and our awesome orchestra members made R&H tunes come to full life.

Music director Jason Bailey and our awesome orchestra members brought the dramatic South Pacific score to rich life.

The act of working together toward that goal creates more than a great show; it creates great love. Overwhelming, energetic, unadulterated love. Love that is then freely shared with an audience.

For me, the juxtaposition of this powerful love with the current news headlines was equally dramatic and ironic. Even as hatred and violence continued to crescendo and play out tragically on the world stage, I experienced growing love over the course of rehearsals and shows. Love for my fellow players. Love for the theater. Love for life itself.

A Labor of Love

BEFORE: an ordinary church parish hall.

BEFORE: an ordinary church parish hall.

As anyone who’s ever been involved in theater knows, a play is actually a lot of work. The set alone for this show required untold hours, during which Rupe, technical director Paul Thompson, scenic painter Luciana Noguiera, and other dedicated volunteers transformed a typical church fellowship room into a tropical paradise on the fringe of War World II. The result was a uniquely intimate, immersive theatrical experience, which happened to also be a successful first in the space for CFC Arts.

You Have to Be Carefully Taught

Differences can create distrust outside the theater. But here, ALL CHARACTERS WELCOME!

ALL CHARACTERS WELCOME! In the real world, differences sadly often lead to distrust. But in the theater world, everyone is loved.

It’s far easier to destroy than to create. (This was true even of our set.) It’s not difficult to hate and condemn. Any weak- and/or narrow-minded brute can be persuaded to do those things. And throughout history they have–time and tragic time again–inflamed by rhetorical tinder, executing some ‘greater’ purpose ordained by those vying for more power, even (and often so) purportedly ordained by a higher power.

At the opposite end of the spectrum, creating something with other people–in this case, a show–is arguably the most positive, powerful thing that can be done in the world. All creation comes from love. It’s virtually impossible to do one without the other.

So my final takeaway from such a fond tour of duty in the South Pacific is this: Art creates love, the only antidote to war, and empathy, the surest cure to conflict. Call me A Cockeyed Optimist, but I think there’s hope for the world yet.


AFTER: a magical vision of the South Pacific, a set as vibrant and compelling as the show’s cast.



Jun 16

Like Father, Like Home


We were thrilled to own (or at least owe on) this dirt.

After five years of marriage and apartment living as DINKS (Dual Income No Kids), my husband and I began the process of building a house. It was our first baby. We visited the site every day for the nine months of construction, following its every change with great excitement. We would wander around dirt, and later concrete, imagining where we’d be eating and sleeping, washing dishes and watching TV.

Once the second floor was framed out, we’d sit on the bottom steps and dream aloud about our future life. There was a bedroom that we both hoped would one day be a nursery. To be safe, we agreed to simply call it “the empty room.”


Like a well-built house in a storm, a good father helps make his family feel safe in a sometimes scary world.

Six months after we moved in, I became pregnant. The empty room became the baby’s room, first for my daughter and, eight years later, for my son. All the while my husband proved to be an amazing father, patient and loving, as comforting and constant as the roof over our heads.

When circumstances changed and we decided to sell, I hoped that our home would find, well, a good home.

Our buyer was a single businessman from China who had recently become an American citizen. “Matt” (his American name) and I conversed easily.

Matt and I, both born in the year of the rat. I knew he'd love my house as I had, even before I knew the meaning of our address.

Matt and I, both born in the year of the rat. I knew he’d love my house as I had, even before I knew the meaning of our address.

We soon discovered that we were the same age, our birthdays being only days apart. Having visited China with my sister, I had a love for his home country as much as he had a love for his new country, too. Above all, Matt loved my first baby as much as I did.

At the closing, Matt let me in on a little secret. Our house number–1717–had a lot to do with his choosing our home. In Chinese, numbers have great significance. As Matt explained to me, 1 means “I want” and 7 means “a wife.” What’s more, 7 + 1 = 8. The number 8 is considered the luckiest of all numbers, signifying success, wealth or money.

So 1717 to bachelor-entrepreneur Matt read, “I want a wife, I want a wife, money, money.” I hoped he was right and wished him every happiness.

A wedding (in this case, mine) marks the end of one phase of fatherhood for the dad and the beginning hopes of grandfatherhood!

A wedding (in this case, mine) marks the end of one phase of fatherhood for the dad and the beginning hopes of grandfatherhood!

Less than a year later, I received a call from Hazel Sun, an outstanding real estate professional here in Central Florida. As Matt’s agent in our sale, Hazel had kept in touch with us both. She told me that Matt had met a girl and was getting married.

A few weeks ago, I received another call from Hazel. This one ended with me in tears. Happy tears.

"Which way should I go, Dad?"

“What will my future hold, Dad?”

Matt is about to become a father; he and his wife are expecting their first child. From the heart I saw in him as he told me stories about growing up in China, I know that Matt will be a great father. The empty room will be filled once more.

So 1-7-1-7 has come true. Matt met the wonderful wife he wanted so much, and now, he’s about to embark on life’s most profitable venture. Because loving and caring for your child is the greatest success to which a man can ever aspire.

Happy Father’s Day!








Feb 16

ONE Neighborhood – ONE School


The desire: That children within one subdivision of homes bound together by geography (no major roads dividing), common recreational and meeting areas, and a Homeowners’ Association be zoned for the same school.

A Musical Plea to Florida’s Seminole County School Leadership and Board

As final plans for rezoning elementary schools here in Seminole County, Florida are being finalized, I wanted to help the hard-working Superintendent, his staff, and our elected school board to remember ONE Neighborhood – ONE School. More than a mantra, it’s a guiding principle, an overwhelmingly uniting one, too. It’s something on which all with whom I’ve spoken and heard speak in the East Zone seem to resoundingly agree.

So I thought, what better way to help us all remember something than to put it to music. Right? Here it is below, what I believe to be the first musical public postcard of its kind to a school board. Sing along with me!


Jan 17

The Poetry of Politics

If our home is still zoned for Partin in 2014, my son could just as easily walk, bike, or swim to school!

Last night I attended a meeting regarding plans for rezoning Seminole County elementary schools. Indeed, it seemed there were as many proposed plans as committee members circled together inside the Winter Springs High School library.

Somewhere between my third and fourth Ghiradelli chocolate square, fortuitously strewn across our community table in the back, I heard the leaders agree to whittle down to five plans as a goal. And by the time I found the source of the flamingo-pink lemonade observers were holding, I had already gained a sweet appreciation for both the complexity of the problem and the impassioned individuals striving to solve it.

Sharing the precious scavenged provisions with my eleven-year-old daughter (who hadn’t had dinner either as we had raced from a dentist appointment), I realized something important about myself. You’ve heard, I’m a lover, not a fighter? Well, I’m a poet, not a politician. Now I know.


The inspiring Rising Sun Chair at Independence Hall in Boston

As I watched the panoply of the technical proceedings unfold, I thought of George Washington’s famous chair at Independence Hall. I had seen it up close in Boston when I was pregnant with Cassidy. Near the end of the Constitutional Convention’s historic debates in 1787, Benjamin Franklin had made his immortalized observation:

I have, he said to his founding friends, often and often, in the course of the session, and the vicissitudes of my hopes and fears as to its issue, looked at that behind the President, without being able to tell whether it was rising or setting; but now at length, I have the happiness to know, that it is a rising, and not a setting sun.

What a memorable metaphor. Maybe poetry has a place in politics after all. Before rhetoric took on a negative connotation for being used without conviction, the graceful use of words was actually part of the process. Watching C-SPAN today, I’m not feeling the love of language, or anything else for that matter.

But last night was different. Of the many PTA moms, principals, school board members, public servants and other impassioned volunteers whom I witnessed, none lacked for sincerity or commitment. I tip my half-full styrofoam cup to them all.

Returning home, inspired by the evening’s information and sugar, I did the only thing I could think to do. I wrote. Below is what came out: sixteen haiku poems, one for each of the villages within our diverse yet richly woven community of Live Oak Reserve here in Oviedo. Politics or poetry? Maybe they can still co-exist.


Seminole rezone

Redistribute don’t divide

Live Oak Reserve homes

Sixteen villages

Standing together as one

Supporting Partin

One community

Defined by geography

Involved at Partin

Think transportation

Model green choices for them

Let Live Oak kids walk

Live Oak Reserve is

A walking community

Don’t take that away

The law appears clear

Proximity is foremost

Factor in rezone

Follow the statute

Strive to maximize locals

Minimize buses

Transportation law

Reasonable distance test

Live Oak all within

Spend increased taxes

On better education

Not gas for buses

Support childhood health

Not with empty words but votes

That reward walkers

We teach save the world

This choice must be consistent

Cut carbon footprint

Never on big streets

By foot and bike together

Live Oak kids go home

Parent involvement

Naturally higher when close

Made harder when far

Diverse families joined

Each working hard to live here

Growing with Partin

Live Oak Reserve: sixteen branches of one tree. Our goal: to stay together in the Partin Elementary school zone.

Live Oak Reserve: sixteen branches of one tree. Our goal: to stay together in the Partin Elementary school zone.

These sixteen branches

Filled with children as green leaves

Cherished every one

Branches of one tree

No matter how divided

Cannot thrive apart

Visit Live Oak Reserve HOA for current news on “One Community. One School.”


Sep 10

Pushing the Stone


The cardinal rule: don't sit in front of a window if you don't want to be distracted.

I just completed my Week 8 assignment for the Writer’s Digest online course, Build Your Novel Scene by Scene. It was brutal. Not the scene, but the process of drudging through miles of sticky mental muck to actually write. To demonstrate my fragile mental state, I shall be relating a story about squirrels. But first, oh look! The cardinals are strutting outside my window. Aww, pretty birds…Where was I?

Mr. Squirrel thinks he's stealthy.

Oh right, my deep-seeded emotional struggles to persist. There I was, researching in circles on my laptop again as righteous justification for not writing, when I spotted the enemy: I named him Mr. Squirrel (further evidence of my creative angst).

Mr. Squirrel likes to eat the bird seed. This distresses me greatly. It leads to a long, annoying game whereby I run outside to chase away Mr. Squirrel, he waits until I am back inside and in front of my laptop again, and then he boldly returns, laughing at me through the window. Repeat the scene another dozen times.

As with many of life’s great trials, however, I found a solution at Lowe’s. See the dome underneath the feeder? It’s called a–get this–squirrel baffle. This was going to be good.

I installed said bird feeder protection device and went inside. In my excitement, I may have actually typed a few sentences of my scene while I waited. Then he appeared, making sure I was watching him. Time and again, he climbed up the post of good hope but could not round her cape. Mr. Squirrel was baffled, indeed! (Maniacal laugh, maniacal laugh.)

"Watch and learn, Mrs. Human."

Perhaps I accidentally wrote another sentence or two before the next event; I can’t remember. But not long after my sweet victory, he was back. Mr. Squirrel approached my window yet again. As you can see from this third picture, he stared me down straight on, one searching creature to another. Then he turned from his stance on the ledge and leaped, hairy toothpick arms and legs flailing wildly in slow motion, landing on top of the baffle.

He proceeded to feast with abandon on the bird feed. I watched him for a few minutes, allowing him to enjoy the fruits of his labor, the spoils of his conquest, the prize of his chase. He had persevered. Even though the birds on top seemed to mock him; even though some other squirrels had tried but given up after a few attempts; even though he himself was baffled and frustrated by his repeatedly thwarted efforts–Mr. Squirrel kept on trying. He did not. Stop. Trying. (sniff, sniff)

My 11-year-old daughter summed up this lesson for me a different way last night. It was my low point for the writing week, when I actually let slip the words, “It’s just too hard. What am I doing this to myself?” Seeing my frustration, she told me: You have to push the stone if you want it to move. I think her Padawan training is complete.

As for my squirrel story, it ends happily. I ventured to Lowe’s once more, this time for a hanging block of corn feed. Mr. Squirrel earned it. And so will I, one baffling try at a time.


Jul 18

The Publish Driven Life


An impromptu book signing at a friend's baby shower. Yes, I always keep copies in my car!

“It’s not about you.” That’s the memorable first sentence of Rick Warren’s spiritual bestseller, The Purpose Drive Life. It’s a message worth repurposing for those of us who would like to call ourselves writers but still aren’t sure we’ve got what it takes.

The foundation for Julia Cameron’s groundbreaking The Artist’s Way  is the same; it’s not about us or what we, from aspiring to accomplished artists, do or don’t do. Rather, it’s about who our all-powerful creator, the Great Artist, shaped us to be. Cameron contends that creating is our gift back to God. It’s a liberating mindset, this powerful extraction of one’s ego from one’s art.

So then all that remains to be vanquished is our fear. At every turn and dark alley, shooting off even the most scenic streets, it lurks in the shadows telling us we’re not good enough, attacking pieces of us that we are working so hard to put together. With its intended fatal blow, fear tries to convince us that what we want to create is too difficult. It’s too hardour fear tells us. I just can’t do it. Or there’s the even more insidious lie, I just can’t do it now.

My personal procrastination, however, recently received a grande battement in the derrière. After hurdling over past creative blocks and working hard to complete two YA novels in less than a year, my fellow creative Chick Vivi Barnes–a.k.a. ticklingthemuse–landed an awesome literary agent! I was so inspired by Vivi’s efforts and success I even wrote her a victory theme song.

Suddenly the reality had hit really close to home: hard work is really all that’s standing between me and finishing the novel I’ve been chasing for so long. Hard work is the only wind that can blow the sails of any story. So I enrolled in a Writer’s Digest University online workshop, Build Your Novel Scene by Scene. And it starts tomorrow!

This exciting 90-day intensive course is exactly what I need. I’ve always worked better with the urgency of deadlines, the feedback of a teacher and the overall structure of a school-like setting. For starters, it will force me to outline the entire book in detail before being “allowed” to write. The latter is my favorite part, but in neglecting the former I’ve floundered at sea, drifting this way and that.

There is NOTHING more rewarding than seeing your story in the hands of a reader!

My final destination is indeed PUBLICATION, that is, getting my story into the hands of readers. The once intimidating and paralyzing prospects of “breaking into the publishing world” are changing dramatically in this modern electronic age. Fear of not getting published is now invalid. Whether in physical bookstores or only in online bookstores and e-reader apps, the best stories ultimately win. My own positive self-publishing experience with Lulu.com–getting my first children’s book out there— has shown me that the only barriers left to becoming a writer live in the mind.

So my immediate goal and focus for the next 90 days is to FINISH. Whether or not I secure a traditional literary agent and publisher once I arrive at my intended port is (almost) a moot point. It would be great, of course, but if I finish this story in which I believe so intensely, writing it to the best of my ability, then I’ve already acquired the real prize.